Conny Waters – AncientPages.com – Egyptian temples were not only vibrant with color but also adorned with glistening gold. Since the beginning of the Pharaonic Period, columns, gates, and obelisks have been covered in gold, adding to their majestic appearance.
Remains of gold on the king’s collar. Credit: Victoria Altmann-Wendling / Universität Würzburg
Researchers have also know from various textual sources that some of the ancient buildings were adorned with gilding.
This decorative technique typically involved applying overlays of thicker metal foils, often crafted from gilded copper, to enhance the structures’ aesthetic appeal. Although the original beauty of these gilded elements has faded over time, their presence still survive and is evidenced by the small holes left in the walls where the metal foils were once affixed.
These remnants serve as a testament to the architectural and artistic practices of past civilizations, providing valuable insights into their cultural and technological advancements.
Thin gold leaf decorations are seldom documented because of their extreme fragility. However, at Edfu, particles of this type of gilding have recently been discovered in several locations on the higher wall areas of the barque sanctuary.
Edfu Temple. Door of the Pylon. Image source – Public Domain
In cooperation with the Egyptian Ministry of Tourism and Antiquities, a team from Julius-Maximilians-Universität (JMU) Würzburg has been researching the formerly colorful paintwork of the stone reliefs in the temple of Edfu, which was dedicated to the falcon god Horus. The reliefs and paintings were cleaned and consolidated by an Egyptian team of conservators under the direction of Ahmed Abdel Naby.
See also:
Excavation At Tell Edfu Reveals Early New Kingdom Complex
“The gilding of the figures presumably not only served to symbolically immortalize and deify them, but also contributed to the mystical aura of the room. It must have been very impressive, especially when the sunlight was shining in,” says Dr. Victoria Altmann-Wendling, project manager and research fellow in the Horus Be?edety Project at JMU.
Painters corrected faulty hieroglyphics
The Egyptian restorers removed dust, bird droppings and other deposits, such as soot, from the sandstone reliefs. In the process, the researchers uncovered the remains of the paintwork that once covered the entire reliefs. In most ancient Egyptian temples, painting is not preserved at all, or only in a few (interior) areas. The work in the temple’s barque sanctuary was completed this spring.
However, further analyses of the pigments and the gilding are planned.
The multi-colored paintings can now provide further details of the scenes and hieroglyphs that could not be identified in the relief alone, e.g., elements of the clothing or the offerings. The craftsmen also used color to correct the hieroglyphs carved in stone.
Inside the sanctuary at the centre of the Temple of Edfu at Edfu, Egypt. Image credit: timsdad – CC BY-SA 3.0
“In the painting, we are capturing an ancient quality management,” says Professor Martin A. Stadler, director of the Horus Be?edety Project Würzburg.
“The fact that the gods were completely gilded is particularly interesting. We find this in the textual sources that describe the flesh of the gods as consisting of gold,” adds Dr. Altmann-Wendling.
Graffiti painted in ink
Another result is the discovery of dipinti (i.e. graffiti painted in ink) written in the Demotic script. These writings are direct testimony of the priests entering the temple.
Such personal inscriptions are known primarily from outer temple areas or doorways and not from the sanctuary or “holy of holies,” where the barque and statue of the worshiped god were located. The prayers addressed to Horus, referred to as proskynemata in scientific terminology, thus provide new insights into the “spatial biography” of the room, as well as the beliefs and cult practices of the priests responsible.
Facts about the temple of Edfu
In addition to being the best-preserved sanctuary in Egypt, the temple of Horus at Edfu is a marvel of ancient structural design, with a length of 137 meters, a width of 76 meters at the pylon, and heights ranging from 15 meters to 35 meters. With such grand proportions and its wall surfaces completely covered with inscriptions and pictorial reliefs, it also stands as a unique monument of ancient religion and architecture.
Built and decorated between 237 and 57 BC, under the reigns of Kings Ptolemy III-XII, it contains more religious texts and ritual scenes than almost any other Egyptian temple, some of which can be traced back to the third millennium BC.
Source – original press release
Written by Conny Waters – AncientPages.com Staff Writer
