Duse – first-look review | Little White Lies
Pietro Marcello follows his interwar fairytale, Scarlet, by returning to the same time period for a half-literal, half-imagined portrait of legendary Italian actress Eleonora Duse. There are surface comparisons to Pablo Larrian’s Maria, for Eleonora is an ailing icon in her final act – the film covers 1917 – 1923 and she died in 1924 aged 65. Yet there is little overlap between...









