Music

Projecting back to those halcyon days when narrative media about must-win dystopian death sports was satisfyingly scarce. It’s been a long...

Predators: Badlands works best when it’s dealing with the organic. In the soft, frictionless world of so many computer-generated tentpole spectacles,...

A conflicted elegy for an America poisoned by manifest destiny, Denis Johnson’s captivating 2011 novella spans most of a century, from...

It was the Brooklyn-born, Bronx-raised, and Harlem-championing photojournalist Kwame Brathwaite who came to popularise the phrase ​“Black is Beautiful,” which...

Change was in the air at Aardman Animation in the early 2000s. After decades of making a name for themselves through...

On Truth & Movies this week, we discuss Kelly Reichardt’s The Mastermind, Springsteen: Deliver Me From Nowhere, and finally, for...

For a director’s project that would come in between an MCU sequel and the latest in the 28 Days… zombie horror...

Amidst this year’s grand line-up of London Film Festival galas, a treasure trove of titles awaited discovery: BFI restorations, archival interventions,...

In the back section…Jafar PanahiMarina Ashioti talks to the Iranian legend who discusses his deserving Palme d’Or-winner, It Was Just...

In Scott Derrickson’s 1978-set The Black Phone, ​‘the Grabber’ (Ethan Hawke) was just a run-of-the-mill masked killer. His boy victims, however,...